NZ 2020: Day 3, Christchurch to Punakaiki

January 27, 2020

Our guide picked us up in the morning in Christchurch to begin a two week guided hiking tour of the South Island of New Zealand.  The agenda for the first day was to cross the Southern Alps at Arthur’s Pass, and to arrive in Punakaiki on the West Coast by the end of the day.

Image 3-22-20 at 11.10 PMThe South Island is about 500 miles long, and 150ish miles wide, with steep mountains along the west coast. The mountains create a rain shadow for the eastern part of the island. We were on our way to experience the rain forests and wetter climate of the west coast.

Castle Hill

Our first hiking stop was Castle Hill. We walked up the hill and through the maze of giant, weirdly eroded limestone boulders and knobs that standout in the landscape.

DSC09460

DSC05634

We learned early on that most of the wildflowers we would see are non-native, and considered weeds. (“If it’s pretty it’s a pest!”) The national effort to remove alien wildlife, both plants and animals, was an ongoing theme during our trip.

DSC05639

Wandering among the limestone boulders.

DSC05640DSC05641DSC05644DSC05649DSC05654DSC05656

DSC05651

View back to the car park.

Hike #2 of 2020, 2.2 miles, 150 feet.

Arthur’s Pass National Park

We could see we were headed for clouds and rain as we continued west toward the mountains.

DSC05669

We stopped to look at the Waimakariri River, one of the largest of many broad, braided glacial outwash rivers that cross the eastern plains of the South Island.

DSC05670

Waimakariri River

DSC05682DSC05685DSC05684

DSC05691

We made a quick stop to view Devil’s Punchbowl Falls, 131 meters high.

Rain began as we drove through Arthur’s Pass.

DSC05700

One of many road preservation structures and roadworks we would see in this geologically active country.

DSC05701

Rata tree blooms – these are native!

DSC05704

Quintessential New Zealand green pastures with sheep and cows.

We reached the west coast near Kumara, then headed north to Punakaiki, admiring the beautiful beaches and lush green, misty slopes along the way. It had been a lovely first day of our tour.

DSC05710

Driving north along the west coast of the South Island of New Zealand.

DSC05715

West coast sun, clouds and beaches!

Trip note: Our tour was with the New Zealand company Active Adventures. I have only good things to say about our experience with them. Amazingly, because of some last minute changes, we were the only two people on the first five days of our tour. We had been expecting up to twelve people, and instead we had a private tour, with an entire small bus and guide to ourselves. This is the first time we have taken this type of tour, and we were not sure what to expect, but we soon became good friends with our guide. We appreciated being able to simply enjoy the adventure without worrying about  the logistics of meals and lodging, or the left-sided driving.  As the trip went on, there were challenges from the weather, and we were very glad that our local, experienced guides could nimbly create alternative itineraries – more about that later.

Tomorrow we would explore the landscape around Punakaiki.

Yellow bells at Tom McCall Point, knitting progress, and neighborhood sights

Tom McCall Point, March 18, 2020

DSC00541

Tom McCall Point, seen from near the trailhead.

We got to see the mid-March wildflower suite. Yellow Bells were sprinkled through the meadows at every elevation. I have never seen so many anywhere!

DSC00575

Yellow bells on the lower plateau, Mt Adams beyond.

DSC00588

More yellow bells, midway to the top.

DSC00618

Yellow bells and an early balsam root near the summit.

DSC00630

Compact early blooms of the purple Columbia desert parsley line my favorite trail segment that I call Parsley Alley.

DSC00633

Columbia desert parsley

DSC00606

There is a new geology sign at the summit!

DSC00620

Gold stars were sprinkled in some of the sunny spots.

More flowers along the trail:

DSC00640

Looking eastward toward Rowena as we return to the trailhead.

Hike # 33, 4.3 miles, 1300 feet.   We had no trouble keeping our distance from the few other hikers on the trail, and so far, we are still encouraged to get outside as long as we can keep our distance.

Knitting progress:

I finished the Geology Shawl.

IMG_0477

Geology shawl, pattern by Very Busy Monkey, Malabrigo Mechita, Ninfas colorway.

IMG_0496

I have been knitting the sleeves on my Meris sweater, put away since before our New Zealand trip.

IMG_0499

I cast on 390 stitches for the Which Came First shawl, using the Malabrigo Mechita Piedras that my daughter picked out.

Noticed while walking in my neighborhood:

New blooms:

IMG_0480

tulips

IMG_0483

anemone

IMG_0489

A camelia left in a hedge

New growth:

IMG_0495IMG_0491

IMG_0494

Tree trunk

A secret message, and interesting sidewalk cracks and patches:

IMG_0492IMG_0493IMG_0490

 

Cherry blossoms and snow in Portland, and a White River snow hike, March 2020

Cherry blossoms, Portland waterfront, March 11, 2020

We took our annual walk along the waterfront just as the cherry trees were beginning to bloom.

DSC00426

View from the Burnside Bridge.

DSC00420DSC00427DSC00447DSC00412

Refections of clouds and trees in downtown buildings on this beautiful day:

DSC00456DSC00460DSC00462

White River microspike hike, March 12, 2020

On a blue sky day we walked up White River toward Mt Hood. The snow was packed and not deep, so we could wear our micro spikes instead of snow shoes. We walked past our usual stopping point, up the snow covered moraine, to a closer viewpoint of Mt Hood.

DSC00474

Walking along White River toward Mt Hood.

DSC00478

View from our lunch stop – near where the Timberline Trail crosses the river under the snow.

DSC00492

We walked to a high point on the moraine between the ridges.

DSC00496

Closer view of Mt Hood.

DSC00505

Zooming in on the peak – the black speck is a mountain climber.

DSC00511

Dormant lupine and penstemon on the moraine.

DSC00512

Wind patterns.

Screen Shot 2020-03-13 at 11.08.45 AM

Hike #32, 5.2 miles, 1000 feet.

Snow in Pdx, March 14, 2020

We had a few inches of snow that did not last long – but added a layer of white to the star magnolia blooms.

DSC00311IMG_0463

I am posting from caronavirus social isolation. We are still allowed to go out walking and hiking as long as we keep our distance. Wishing all who read this patience and good health! There will be a lot of knitting going forward!

First Trilliums of spring

March 2020

On two hikes last week we saw the first trilliums of spring. I also went on the Rose City Yarn Crawl with knitting friends, and to the Portland Art Museum to see the exhibition in honor of the 40th anniversary of the eruption of Mt St Helens.

Tryon Creek State Park, March 4, 2020

Hike #30 of 2020, 3 miles, 400 feet.

DSC00293

Early trillium blooms scattered on the forest floor.

DSC00270

Trillium

DSC00282

Trillium buds unfurling

Other early flowers in the forest:

DSC00269

Indian plum

DSC00301

Skunk cabbage

DSC00307

Oregon grape

DSC00299

Salmon berry

DSC00309

Poetry in the park.

Angel’s Rest, March 9, 2020

Hike #31, 5 miles, 1500 feet.

DSC00395

Trillium and oak’s toothwort on the Angel’s Rest trail.

DSC00375

Trillium blooms on the forest floor.

We were treated to the usual stunning views from the top of Angel’s Rest on this sunny, calm day:

DSC00393

West toward Portland.

DSC00392

North to Silver Star Mountain.

DSC00385

East up the Columbia River.

Knitting

DSC00374

Buttons from Twisted and Close Knit in Portland, and Blizzard in Vancouver.

Portland Art Museum: Volcano! Mount St. Helens in Art

This exhibit marking the 40th anniversary of the Mt St Helen’s eruption is multifaceted – videos, photography, and paintings, depicting the mountain before and after the eruption. We did not live in the area at the time, but have hiked around the mountain often in the past ten years. My favorite paintings were these two vibrant depictions of the eruption:

NZ 2020: Christchurch

Days 1 and 2, January 25 – 26, 2020

We arrived in Christchurch, New Zealand, on a summery Saturday morning, having left winter and Friday behind at the International Dateline somewhere over the Pacific Ocean. We spent the next two days wandering around central Christchurch while adjusting to the 21 hour time leap, the left sided traffic, and the northern sun.

DSC05494

Arts Center

DSC05501

Small bookstore

DSC05611

Bridge of Remembrance

Christchurch is rebuilding after two major earthquakes in 2010 and 2011. New buildings are interleaved with earthquake damaged buildings and construction sites.

DSC05498

Back side of the Arts Center.

DSC05514

Artistic fencing around a construction zone.

The Cathedral has a long way to go:

DSC05598DSC05589DSC05593

There were plenty of people about enjoying the parks, shopping, dining and museums. We also came across street performances connected to the International Buskers Festival

DSC05508DSC05613

and Chinese New Year.  

DSC05510DSC05511DSC05614DSC05626

We visited the Canterbury Museum to get an introduction to Maori and natural history:

DSC05559

Maori and Moa

DSC05561

Greenstone

DSC05572

A bit of geology!

One of the curiosities in the museum was an small intact house decorated abundantly with abalone shells (Paua) by an enthusiastic couple:

We walked through Hagley Park a few times to get to our hotel.

New Zealand Gardens in the Hagley Park Arboretum:

DSC05524

DSC05526

Cabbage tree

DSC05528

Beech

DSC05538

Tree fern

DSC05547DSC05523DSC05522DSC05448DSC05467

DSC09113

Tilia

Other sites in Hagley park:

DSC05489

Peacock Fountain

DSC05470

Rose garden

DSC05477

Herbaceous border

DSC05480

echinacea

DSC05520

Punting on the Otakaro/Avon River

DSC05552

Sundial in the rose garden

DSC05443

magpie

We didn’t have enough time to see everything, but we knew we would be back in Christchurch in two weeks, so maybe we would see more then!

 

 

Meanwhile, in Portland…

Back in Portland after our trip to New Zealand, we were greeted by blooming daffodils, hyacinths and wind flowers.

Catherine Creek hike, February  27, 2020

We went to Catherine Creek in the eastern Columbia River Gorge to see what early blooming spring flowers were still on view. We lucked upon a windless, blue sky day, with Mt Hood reflected in the Columbia River. DSC00152Grass widows were waning, desert parsleys, gold stars, yellow bells and buttercups were emerging.

We hiked the lower paved loop, then the upper Bitterroot Trail above the fairy ponds all the way up Sunflower Hill to Atwood Road. We walked down the connector trail to Rowland Wall, for the first time.

DSC00248

Trail connection to Rowland Wall

DSC00249

DSC00255

Going down Rowland Wall.

We still want to try the inside out switchback on the upper Shoestring Trail that we missed last time. I love that there are so many trails to follow in this area, and that each visit during the next couple of months will present a different wildflower suite.

Image 2-27-20 at 9.33 PM

Hike #29, 5.5 miles, 1300 feet.

Knitting

I knit a small amount while in New Zealand.

DSC00267

Geology shawl, and my current traveling socks.

A month in New Zealand…

Kia ora! I am back from a month in New Zealand! I prescheduled a few posts to publish while traveling, including three long overdue quilt history posts, which were the whole reason I started this blog in the first place. We never know how life will surprise us – the blog turned into something completely different, and the trip to New Zealand brought me more surprises than I could have imagined!

A year ago, when my husband and life partner of 40 years was planning his exit from a more than full time career of work in the medical field, he wanted to go far away for a long time. New Zealand had been unattainable to us because he always had to check in to work, even when on vacation. New Zealand is 21 hours ahead of Oregon. Today there hasn’t happened yet here – almost like time traveling! We booked a tour with an adventure hiking company for the first two weeks, and planned independent travel for the second two weeks, then let it all rest in our internet files until the January 2020 retirement date arrived.

We were on the South Island of New Zealand from January 23rd to February 23rd, and enjoyed every minute! Every day brought new surprises – mountain landscapes, active glaciers, active earthquake faults, metamorphic rocks, fiords, foliage, birds, whales, volcanoes, rainbows, different groceries, different stars, different social norms; all keeping me alert and invigorated with daily doses of novelty to wake up the slumbering brain cells of the gray Oregon winter.

It will take me a long time to fully process and write about it all, as we rejoin life on our side of the world. It was a completely refreshing experience, in a place I could never have imagined, and now will never forget!

Next NZ2020 Post: Christchurch, days 1 and 2

Amish Rainbow Balloon Quilt

Quilt Story 4: Amish Rainbow Balloon, 1995

After taking several quilt classes, I was ready to create quilts on my own again. My youngest son, then age 2, was a big fan of both rainbows and hot air balloons. When I saw this fabric at Fabric Depot (my main source of fabric until it closed just last year), I bought a few yards and let it take me on another quilt journey.

DSC01723

Rainbow Balloon, 36″ x 42″, Margaret Klute, 1995

I found instructions for the Sunshine and Shadow quilt in a library book about Amish quilts. I decided to make the stripes as rainbows, and spent a good long time choosing my rainbow fabrics. I assembled the six-stripe strata, then cut the triangles and sewed them to the background balloon fabric.  I decided to make the border and binding also reflect a diagonal rainbow.

DSC01725

DSC01726

The red star fabric is still a favorite – wish I had more!

DSC01727DSC01728DSC01731

DSC01733

Stitch in the ditch quilting, machine stitched binding.

I believe I used a rather thick polyester bat in this quilt, though I can’t remember exactly why just now. Maybe the little one said he wanted a thick quilt? It is quilted in the ditch around the blocks and triangles. My son was happy with the result.

Quilt Lessons: Nine Patch Quilt and more

Quilt Story 3: Nine Patch and other Daisy Kingdom class quilts, mid-1990’s

While finishing my Log Cabin quilt, I discovered the world of quilting resources available through library books, TV shows, and local classes. (This was still pre-internet!) In the mid 90’s, I took a series of classes at Daisy Kingdom, a fabric and creative sewing store near me in old town Portland, Oregon. The store was a wonderland of fabric and original design home sewing creations. I learned a variety of quilting skills from local quilt teachers in their upstairs classroom.

DSC01734

Nine Patch quilt, 38″ x 50″, by Margaret Klute, 1994

Nine Patch: In the Beginning Quilting class, the teacher helped us find a focus fabric and two complementary fabrics, and then make a basic nine patch quilt. I chose this musical print, as my young son was particularly fond of musical instruments. We learned about value as a key to fabric selection and placement, also strip cutting and piecing, sewing accurate seam allowances, and many tips and tricks about assembly, basting, quilting and binding.

DSC01737DSC01741

In the Hand Quilting class I learned about pattern transfer, and stitching techniques.

DSC05358

Hand Quilted Wallhanging, 16″ x 16″, by Margaret Klute, 1996

DSC05362DSC05366

The project for the Appliqué class was this small heart appliqué quilt. I chose to set the hearts with scraps of the same fabrics, and then hand quilted the wall hanging.

DSC05372

Heart Appliqué Wallhanging, 15″ x 15″, by Margaret Klute, 1995

DSC05379

In the Foundation Piecing class I learned to make stitch and flip blocks on tearaway foundation or paper. I turned my little blocks  (two to three inches wide) into Christmas tree ornaments by blanket stitching them together with gold metallic thread.

IMG_7540

Foundation Paper Pieced Christmas Ornaments, by Margaret Klute, 1990’s

I learned precision piecing skills while taking the Feathered Star Table Runner class. I also learned later the cruel lesson of not prewashing fabric. The red fabric has bled into the background, despite the use of color catchers in the washing machine.

DSC05396

Feathered Star Table Runner, 15.5″ x 45″, by Margaret Klute, 1995

DSC05405

DSC_0575

Photo taken before the table runner was washed.

Some of the projects took me years to finish. I don’t remember the teacher’s names, but I know that I was lucky to have such a wonderful resource available to me. I was so excited at the time to be immersing myself in quilting. Although Daisy Kingdom is long since gone as a business, its legacy lives on in many creations by former customers like me.

And just for fun: I still have these items in my stash purchased from Daisy Kingdom way back then that are waiting for inspiration and time. Mary Englebreit and Elinor Peace Bailey were two of the Daisy Kingdom fabric designers.

DSC05383

Mary Englebreit panels

DSC05387

Elinor Peace Bailey fabric and panel

(outro music by Joni Mitchell: “Don’t it always seem to go that you don’t know what you’ve got ’til its gone!”)

Log Cabin Quilt

Quilt Story 2: Log Cabin Quilt, 1976-1993

After finishing my first quilt, the Sunflower Sue quilt, I wanted to make another quilt. I was home for a couple of weeks during my first year of college, and saw a Log Cabin quilt in one of my mother’s magazines – McCalls, maybe. This was 1976, the bicentennial, and a period of revival of quilting in the national zeitgeist. The magazine quilt had a log cabin center, a piano key border, and was very scrappy. I made construction paper copies of the templates printed in the back of the magazine, and raided my Mom’s and neighbor Sally’s scrap fabric boxes again. Over the next year or so I cut out with scissors up to three log sets of different sizes from each fabric. I may have sewn one or two blocks together at this time, but mostly I left them stashed for the next few years as college activities took over my time.

DSC05047

I still have the original templates with my pattern files.

One summer (1982?) I was staying in San Francisco with Danny (future husband) while he was in medical school. I pulled out my log cabin strips and sewed them into blocks, one block a day. When I tried to put the blocks together, I realized that they weren’t exactly square – there was up to a half inch difference in some of the blocks, due to both inaccurate cutting out with scissors and templates, and variably estimated quarter inch seam allowances. So that was a problem waiting to be solved. The blocks got tucked away again for a few years while I finished grad school, got married, moved to the Portland, Oregon area, and had our first child. My poor baby was rather colicky, so poor us, it was nearly impossible to imagine leaving him with a babysitter. At this point, we realized we might never leave the house again so we bought a television and VCR to watch movies in the evening. We hadn’t had a TV for years. One day, while home with the baby I noticed a quilting program on the Public Television channel. I watched in fascination while Eleanor Burns of Quilt in A Day started slicing up fabric with what looked like pizza cutter. Squaring up blocks! Based on my son’s age, this would have been 1990 or 1991. I was amazed, enchanted, and immediately called the number on my screen to order a rotary cutter, a mat, and acrylic rulers!

DSC05053

I still have these original Quilt in a Day tools.

I squared up my blocks! I played with the layout, finally deciding on a color wash/barn raising setting, with the light and dark value halves of blocks creating concentric squares.

DSC01598

Log Cabin, 1993, 66″ x 86″, by Margaret Klute

Around this time we moved to our current home in Portland, and I remember laying the blocks out, piecing them, then going to the nearby Fabricland store to buy border and backing fabric and batting. I basted with safety pins, as modeled by Eleanor Burns, and then I minimally quilted the quilt by machine stitching in the ditch along the block seams.

DSC01602

Upper left

DSC01603

Upper right

DSC01605

Lower left

DSC01604

Lower right

I made the binding by pulling the backing fabric to the front.

DSC01609

The backing was turned to the front and machine stitched down to create the binding.

DSC01611

Close up of hand stitched signature.

I was very happy with the final quilt. I had used a thin cotton batting this time, so the quilting was easier. I learned by my experience, and by watching Eleanor Burns, the importance of consistent seam allowances. I still loved the idea of scrappy quilts, but I was beginning to get the concept of controlling the color palette. My next quilts would be made from a more limited fabric selection, with guidance from taking a few classes and using pattern books.

The Log Cabin quilt kept us warm for many years, and I was able to retire the now worn Sunbonnet Sue quilt. These two quilts share many fabrics in common, so I was able to continue to enjoy the scraps from my past as I used this quilt.